Cover Reveal: True Love's First Kiss by Heidi Garrett

In the Enchanted World, true love’s first kiss is magic.

Nandana’s Mark, Book 1: When two half-faeries—Melia and her younger sister—are cursed under dreadful circumstances, true love’s first kiss is the remedy.

The Flower of Isbelline, Book 2: Nothing but true love’s first kiss can save Melia’s younger sister from blind ambition and ruin.

The Dragon Carnivale, Book 3: Melia must choose the freedom she cherishes or true love’s first kiss—and a relationship that promises to secure her place in the Whole.

The Queen of the Realm of Faerie is a fairy tale fantasy series that bridges the Mortal and Enchanted worlds. The main character, Melia, is an eighteen-year-old half-faerie, half-mortal. She lives in Illialei, a country in the Enchanted World, with her two sisters and their mother. Melia’s father has been exiled to the Mortal World, and her best friend is a pixie.

When the story opens in the first book, Melia is troubled by her dark moon visions, gossip she overhears about her parents at the local market, and the trauma of living among full-blooded faeries with wings—she doesn’t have any.

As the series unfolds, the historic and mystical forces that shape Melia’s life are revealed. Each step of her journey—to find the place where she belongs—alters her perceptions about herself, deepens her relationships with others, and enlarges her world view.

True Love’s First Kiss is a compilation of the first three books in this ongoing series

The product of a verbally gifted family, Heidi Garrett is possibly the least loquacious of them all. While her Uncle John created off-the-cuff characters like King Machi-Machi and her Uncle James turned otherwise ordinary moments into O. Henry stories, she would often sit dazzled and silent, thrilled that these were ‘her people,’ as Grandma would say.

Despite the verbal inadequacy that shadowed Heidi whenever she was in her family’s presence, she never stopped writing in secret. Whether it was angsty teen poetry, the personal journals she has since burned (imagine bonfires), passionate letters to the editor, purgative song lyrics, or simply imagined vignettes, Heidi has played with words all of her life.
Bottom line: she loves stories and the people who tell them.

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